miércoles, 27 de abril de 2011

312. MID-SPRING. (J. W. Inchbold.)

The Royal Academy Exhibition 1856

Though not a satisfactory picture, this is one of the most curious efforts of the Pre-Raphaelites this year. The place chosen has been a lovely spot, and the execution of the hyacinths and grass is as close and wonderful a piece of work as there is on the room walls. Take a magnifying glass and look at the squirrel and bird on the tree high up on the left, and the two other birds flying in the wood beyond, and give time to the whole, and it will please you. But Mr. Inchbold must choose subjects with more mass of shade in them; this was, in its essential nature, impracticable, the light being all too high for imitation. Hence the apparent hardness of result.

It is quite worth while, some day, to bring a small operaglass with you into the architectural room, to examine the exquisite painting of withered heather, and rock, in  Mr. Inchbold's other picture, 1187 ["The Burn, November: the Cucullen Hills"]

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